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4 interesting ways to write good opening scenes

‘Well begun is half done’. Film-making doesn’t give you much scope these days. With the rapid exposure to all kinds of cinema, the audience is getting much more than expected. Every other week, some new film is churning out. Different genre, different language, different countries. As a result, the audience is turning astute. A little …

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How Vijay Anand’s ‘Teesri Manzil’ lost one of its most important sequence?

It was a bright sunny day at a private University and I was all excited, not because of the weather but for the reason that I was screening Vijay Anand’s musical thriller ‘Teesri Manzil’, that day, to the BJMC students. The atmosphere inside the class was electric as I had already pre-discussed about the film …

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Tips to Create Realistic Characters While Writing

No matter how many ideas you have or how many screenplays you can write. At some point, it comes down to the characters within your script. While writing I have observed many times that we tend to focus on one aspect only. If we are thinking about the structure of our film, we forget the minor details. Or may be, we only focus on our main …

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How can you create anticipation with the help of framing?

In visual arts and particularly cinematography, framing is the representation of visual elements in an image, especially the placement of the subject with respect to other objects. Framing can make an image more aesthetically pleasing and keep the viewer’s focus on the framed object. Anticipation– A feeling that something is about to happen. In cinema, we can …

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How ‘Kai Po Che’ establishes different characters in the first few minutes?

Based on a Chetan Bhagat novel ‘The 3 Mistakes of My Life’, Kai Po Che tells the story about three friends Ishaan, Govind and Omi and their trials and tribulations with the backdrop of cricket. It is always tricky to convert a novel into a screen time of 2 hours but Kai Po Che doesn’t …

How ‘Kai Po Che’ establishes different characters in the first few minutes? Read More »

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